

I painted the exterior in an off white (with a beige cast rather than creamy...the client did not want it to go yellow), then layered on a couple coats of a brown glaze. I then highlighted some of the moulding with antique gold, sanded some of the paint off to simulate wear, and finished it with a couple of coats of wax applied with superfine steel wool. The interior was painted with a soft coral in a strie finish to show off the white china and to co-ordinate with coral accents in the adjoining formal living room.
I originally had a sleeker, more modern finish planned for the armoire...I was planning to do a tone on tone overall damask stencil in the wall color and a slightly darker shade. However, as I began priming the piece, the rustic nature of the wood (not noticable with the original dark finish) became much more apparent. Since the roughness was too wide spread to hide, I decided to embrace it, and take the finish country. Because the room, and the rest of the house, is fairly sophisticated, I had to be careful not to let the piece get too country, too distressed, or too cute. That's when I decided that a Swedish look would be best....casual, light, but still a sense of elegance.
1 comment:
Ceilings are boring and should be abused. Looks like champagne bubbles...call the Welks. It's different and okay.
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